[Some of you may be interested in this review I wrote of U.M Lang's book.]
Book Review: Turning Towards the Lord: Orientation in Liturgical Prayer, by U.M. Lang, C.O., Ignatius Press, 2004, 156 pp.
Reviewed by Shawn Tribe
This work is a very needed contribution to the ongoing evaluation of the direction the reform of the Roman liturgy took after the Second Vatican Council. Uwe Michael Lang, a member of the London Oratory (internationally known for its beautiful celebration of the post-conciliar liturgy) sets out to re-examine the question of the orientation of the priest at the altar during the Mass. In tackling this question, Lang echoes the concerns of other prominent churchmen, proposing that the recovery of a sense of sacred direction in our liturgical prayer is "indispensable for the welfare of the Church today." Lang discusses the matter in a scholarly but very readable manner, falling firmly into the "reform of the reform" school of liturgical thought. Lang's work is not one of absolutes, but rather analyzes the principle of sacred direction in Christian worship and makes a strong argument for the propriety of the priest and people facing the same direction at least during the Eucharistic Prayer, if not the Liturgy of the Eucharist entirely.
In our own day, we are faced with a more absolute type of situation. With only a small few exceptions, the modern Roman liturgy is typically celebrated with priest and people constantly facing one another (versus populum). It wouldn't be much of an exaggeration to suggest that many modern liturgists have almost raised this practice to the level of dogma, so fiercely do they hold to it. The thought of priest and people facing the same direction (ad orientem) sends many of them into a frenzy of disdain and anathemas. Lang tackles the matter head on, but is careful to do so in a non-polemical way. He addresses the arguments and assumptions most commonly made for versus populum celebration and quite successfully demonstrates why these arguments do not hold, either in the light of history, or in the light of sound theological thought. To do so he avails himself not only of history and patristic evidence, but also of modern liturgical thinkers such as Josef Jungmann, Louis Bouyer and Cardinal Ratzinger.
This book does a good job succinctly and lucidly presenting an indepth picture of the issues behind this question. Do not let the size of the book fool you, it is packed with relevant quotations, diagrams of early church architecture and ample footnotes that can serve the scholar and layman alike. The reader will not only come away with a deeper understanding of the history of orientation in Judeo-Christian liturgical prayer, but also a renewed appreciation of the eschatological and cosmological significance of ad orientem posture. In summary, Turning Towards the Lord is not only an excellent look at this specific liturgical question, but also a reminder, more generally, of what the Christian approach and attitude to liturgical prayer must first and foremost be: an act of Trinitarian worship.
Thursday, August 18, 2005
Book Review: Turning Towards the Lord
Shawn TribeMore recent articles:
Gregorian Chant Courses This Summer at Clear Creek Abbey Gregory DiPippo
Clear Creek Abbey in northwest Oklahoma (diocese of Tulsa: located at 5804 W Monastery Road in Hulbert) will once again be hosting a week-long instruction in Gregorian chant, based on the course called Laus in Ecclesia, from Monday, July 14, to Friday, July 18. The course will be offered at three different levels of instruction:1) Gregorian initiat...
The Feast of St Vincent FerrerGregory DiPippo
The feast of St Vincent Ferrer was traditionally assigned to the day of his death, April 5th, but I say “assigned to” instead of “kept on” advisedly; that date falls within either Holy Week or Easter week so often that its was either translated or omitted more than it was celebrated on its proper day. [1] For this reason, in 2001 the Dominicans mov...
Good Shepherd Sunday 2025Gregory DiPippo
Dearest brethren, Christ suffered for us, leaving you an example that you should follow His steps; Who did no sin, neither was guile found in His mouth; Who, when He was reviled, did not revile. When He suffered, he threatened not, but delivered Himself to him that judged Him unjustly; Who His own self bore our sins in His body upon the tree: that...
The Gospel of Nicodemus in the Liturgy of EastertideGregory DiPippo
By “the Gospel of Nicodemus”, I mean not the apocryphal gospel of that title, but the passage of St John’s Gospel in which Christ speaks to Nicodemus, chapter 3, verses 1-21. This passage has an interesting and complex history among the readings of the Easter season. For liturgical use, the Roman Rite divides it into two parts, the second of which...
“The Angel Cried Out” - The Byzantine Easter Hymn to the Virgin MaryGregory DiPippo
In the Byzantine Divine Liturgy, there are several places where the priest sings a part of the anaphora out loud, and the choir makes a response, while he continues the anaphora silently. In the liturgy of St John Chrysostom, which is by far the more commonly used of the two anaphoras, the priest commemorates the Saints after the consecration and ...
The LavaboMichael P. Foley
Lost in Translation #124 After the incensation, the priest goes to the Epistle side and washes his hands, reciting Psalm 25, 6-12: Lavábo inter innocentes manus meas: et circúmdabo altáre tuum, Dómine.Ut audiam vocem laudis: et enarrem universa mirabilia tua.Dómine, dilexi decórem domus tuae: et locum habitatiónis gloriae tuae.Ne perdas cum impii...
Spinello Aretino’s Altar of Ss Philip and JamesGregory DiPippo
At the very end of the 14th century, the painter Spinello di Luca Spinelli (1350 ca. - 1410 ca.), usually known as Spinello Aretino (from Arezzo) was commissioned to make a frescoed altarpiece for the Dominican church of his native city. The altar itself no longer exists; it was dedicated to the Apostles Philip and James, whose feast is traditional...
A Medieval Hymn for EastertideGregory DiPippo
Many medieval breviaries, including those of the Sarum Use, the Cistercians, Carmelites and Premonstratensians, have a hymn for the Easter season which is not found in the Roman Breviary, Chorus novae Jerusalem by St Fulbert, bishop of Chartres, who died in 1029. The original version of the Latin text, and the English translation of John Maso...
Two Upcoming Events from the Durandus InstituteGregory DiPippo
Our friend James Griffin of The Durandus Institute for Sacred Liturgy and Music wishes all our readers a joyous Easter season, by presenting two opportunities, at least for those in southeast Pennsylvania, to celebrate.First, this coming Sunday at 5pm, there will be a solemn Vespers in the traditional Latin rite for the Second Sunday after Easter a...
Letter to a Maximalist Music Director in a Minimalist WorldPeter Kwasniewski
Auguste Danse, Study of Three Singers (detail)The following is based on a real letter.Dear Friend,I’m sorry to hear that you’re experiencing some “ups and downs” with regard to the liturgy there, though it’s hardly surprising in a way. Your diocese is not well known for liturgical propriety or taste, and, beyond that, priests mostly have control ov...