From ZENIT
Q: In what circumstances can a cathedral be used for a non-liturgical purpose such as a concert of secular operatic arias? -- B.N., Bunbury Australia
A: This theme was addressed in a declaration on "Concerts in Churches" published by the Congregation for Divine Worship and the Sacraments in November 1987 (Protocol No. 1251/87). The English version of the text appeared in Sacred Music, Volume 114, N. 4 (Winter) 1987. Among other sites it is available electronically at adoremus.org.
For brevity, we will limit ourselves to quoting its practical norms. It is also possible that individual bishops' conferences or even individual bishops publish norms that apply these principles to concrete situation:
"III. Practical Directives
"8. The regulation of the use of churches is stipulated by canon 1210 of the Code of Canon Law:
"In a sacred place only those things are to be permitted which serve to exercise or promote worship, piety and religion. Anything out of harmony with the holiness of the place is forbidden. The Ordinary may, however, for individual cases, permit other uses, provided they are not contrary to the sacred character of the place.
"The principle that the use of the church must not offend the sacredness of the place determines the criteria by which the doors of a church may be opened to a concert of sacred or religious music, as also the concomitant exclusion of every other type of music. The most beautiful symphonic music, for example, is not in itself of religious character. The definition of sacred or religious music depends explicitly on the original intended use of the musical pieces or songs, and likewise on their content. It is not legitimate to provide for the execution in the church of music which is not of religious inspiration and which was composed with a view to performance in a certain precise secular context, irrespective of whether the music would be judged classical or contemporary, of high quality or of a popular nature. On the one hand, such performances would not respect the sacred character of the church, and on the other, would result in the music being performed in an unfitting context ….
"9. Sacred music, that is to say music which was composed for the Liturgy, but which for various reasons can no longer be performed during a liturgical celebration, and religious music, that is to say music inspired by the text of sacred scripture or the Liturgy and which has reference to God, the Blessed Virgin Mary, to the saints or to the Church, may both find a place in the church building, but outside liturgical celebration. The playing of the organ or other musical performance, whether vocal or instrumental, may: 'serve to promote piety or religion.' In particular they may:
"a. prepare for the major liturgical feasts, or lend to these a more festive character beyond the moment of actual celebration; b. bring out the particular character of the different liturgical seasons; c. create in churches a setting of beauty conducive to meditation, so as to arouse even in those who are distant from the Church an openness to spiritual values; d. create a context which favors and makes accessible the proclamation of God's word, as for example, a sustained reading of the Gospel; e. keep alive the treasures of Church music which must not be lost; musical pieces and songs composed for the Liturgy but which cannot in any way be conveniently incorporated into liturgical celebrations in modern times; spiritual music, such as oratorios and religious cantatas which can still serve as vehicles for spiritual communication; f. assist visitors and tourists to grasp more fully the sacred character of a church, by means of organ concerts at prearranged times.
"10. When the proposal is made that there should be a concert in a church, the Ordinary is to grant the permission 'per modum actus.' These concerts should be occasional events. This excludes permission for a series of concerts, for example in the case of a festival or a cycle of concerts.
"When the Ordinary considers it to be necessary, he can, in the conditions foreseen in the Code of Canon Law (can. 1222, para. 2) designate a church that is no longer used for divine service, to be an 'auditorium' for the performance of sacred or religious music, and also of music not specifically religious but in keeping with the character of the place.
"In this task the bishop should be assisted by the diocesan commission for Liturgy and sacred music.
"In order that the sacred character of a church be conserved in the matter of concerts, the Ordinary can specify that:
"a. Requests are to be made in writing, in good time, indicating the date and time of the proposed concert, the program, giving the works and the names of the composers.
"b. After having received the authorization of the Ordinary, the rectors and parish priests of the churches should arrange details with the choir and orchestra so that the requisite norms are observed.
"c. Entrance to the church must be without payment and open to all.
"d. The performers and the audience must be dressed in a manner which is fitting to the sacred character of the place.
"e. The musicians and the singers should not be placed in the sanctuary. The greatest respect is to be shown to the altar, the president's chair and the ambo.
"f. The Blessed Sacrament should be, as far as possible, reserved in a side chapel or in another safe and suitably adorned place (Cf. C.I.C., can 928, par. 4).
"g. The concert should be presented or introduced not only with historical or technical details, but also in a way that fosters a deeper understanding and an interior participation on the part of the listeners.
"h. The organizer of the concert will declare in writing that he accepts legal responsibilities for expenses involved, for leaving the church in order and for any possible damage incurred.
"11. The above practical directives should be of assistance to the bishops and rectors of churches in their pastoral responsibility to maintain the sacred character of their churches, designed for sacred celebrations, prayer and silence."
Copyright 2006 Zenit
Wednesday, September 20, 2006
Non-liturgical music in Churches outside the liturgy
Shawn TribeMore recent articles:
Early Bird Registration Discount for CMAA Colloquium Ends March 31st!Jennifer Donelson-Nowicka
Join us this summer for world-class training in the Church’s treasury of sacred music.Early bird registration discount ($50 for colloquium, $50 for Vocal Intensive course, $150 off for Chant Intensive) ends March 31st!Here’s a special invitation from our new president, Fr. Robert Pasley.The Church Music Association of America is pleased to announc...
The Annunciation 2025: Dante and the Virgin MaryGregory DiPippo
The specific date of birth of the great poet Dante Alighieri (1265-1321) is unknown, but this Thursday, March 27th, is the anniversary of his baptism, which took place during the Easter vigil of 1266. The language which we call “Italian” today originated as the dialect of his native region of Tuscany (more specifically, of the city of Florence, but...
The Messenger AngelMichael P. Foley
Anonymous, the Archangel Gabriel, depicted on the predella of the high altar at the subsidiary church of Pesenbach, Upper Austria, 1495In the traditional Roman calendar, the feast days of saints are sometimes clustered together to form archipelagos of holiness that allow the faithful to meditate longer on a sacred mystery. These archipelagos do not...
The Third Sunday of Lent 2025Gregory DiPippo
At that time: Jesus was casting out a devil, and the same was dumb: and when he had cast out the devil, the dumb spoke: and the multitudes were in admiration at it: But some of them said: He casteth out devils by Beelzebub, the prince of devils. And others tempting, asked of him a sign from heaven. But he seeing their thoughts, said to them: Every ...
Pictures of Montecassino AbbeyGregory DiPippo
Following up on yesterday’s post of pictures of the crypt of Montecassino Abbey, here are some of the main church and some of the things around it, starting with the most important part of it, the burial site of St Benedict and his sister St Scholastica, behind the high altar.As I am sure our readers know, Montecassino Abbey was heavily bombed duri...
The Prodigal Son in the Liturgy of LentGregory DiPippo
In his commentary on the Gospel of St Matthew, St Jerome writes as follows about the parable of the two sons who are ordered by their father to go and work in the vineyard (21, 28-32). “These are the two sons who are described in Luke’s parable, the frugal (or ‘virtuous’) and the immoderate (or ‘wanton’).” He then connects these two sons with the f...
Another Chant for the Byzantine Liturgy of the PresanctifiedGregory DiPippo
Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia! (Recording by the Lviv Archeparchial Clergy Choir.) Нині сили ...
The Crypt of Montecassino AbbeyGregory DiPippo
For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decisi...
An Interview with Fr Uwe Michael Lang on LiturgyGregory DiPippo
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...
Dives and Lazarus in the Liturgy of LentGregory DiPippo
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...