Friday, September 15, 2006

Qui Vult Venire Post Me

This weekend, on the 24th Sunday in Ordinary Time, the Communion Antiphon is the Qui Vult:



This communio is very special indeed. Its economy is notable. It is a beautiful tune in a very short space, covering a very wide range, and with some interesting modulations and tensions. Most of all what we find here is an unmistakable forward motion that befits the text: If a man wish to come after me, let him deny himself and take up his cross and follow.

As a first mode chant, its tonal center is RE but other than the first phrase, the chant doesn't dwell in this resting place. It always seems to be headed somewhere else. Notice its midpoint on MI, which creates a musical question of what is to follow. We move up a fourth to the LA to sing about the cross, again with moving force.

We arrive at the last phrase, which is the most intriguing. In three words, we reach from the highest point in this chant to it lowest, nearly an entire octave. But notice the last musical phrase. Instead of going RE ME RE, as we might expect in a communion chant, it dips down to DO. It is a vocally interesting passage because we don't often encounter this sound at the end of a chant.

We might say that this musical turn it is unexpected. A surprise. We have traveled a direction that we might not have anticipated. The singer even notices a near loss of breath. It is a subtle but powerful effect. If we follow Christ we must be prepared to go places that are unusual, places that do not fit in with our plans, places that are unfamiliar. But they always end in our true home.

Here is a clean edition with Psalms, for your downloading pleasure, courtesy of Richard Rice and the CMAA.

More recent articles:


The Annunciation 2025: Dante and the Virgin Mary
The specific date of birth of the great poet Dante Alighieri (1265-1321) is unknown, but this Thursday, March 27th, is the anniversary of his baptism, which took place during the Easter vigil of 1266. The language which we call “Italian” today originated as the dialect of his native region of Tuscany (more specifically, of the city of Florence, but...

The Messenger Angel
Anonymous, the Archangel Gabriel, depicted on the predella of the high altar at the subsidiary church of Pesenbach, Upper Austria, 1495In the traditional Roman calendar, the feast days of saints are sometimes clustered together to form archipelagos of holiness that allow the faithful to meditate longer on a sacred mystery. These archipelagos do not...

The Third Sunday of Lent 2025
At that time: Jesus was casting out a devil, and the same was dumb: and when he had cast out the devil, the dumb spoke: and the multitudes were in admiration at it: But some of them said: He casteth out devils by Beelzebub, the prince of devils. And others tempting, asked of him a sign from heaven. But he seeing their thoughts, said to them: Every ...

Pictures of Montecassino Abbey
Following up on yesterday’s post of pictures of the crypt of Montecassino Abbey, here are some of the main church and some of the things around it, starting with the most important part of it, the burial site of St Benedict and his sister St Scholastica, behind the high altar.As I am sure our readers know, Montecassino Abbey was heavily bombed duri...

The Prodigal Son in the Liturgy of Lent
In his commentary on the Gospel of St Matthew, St Jerome writes as follows about the parable of the two sons who are ordered by their father to go and work in the vineyard (21, 28-32). “These are the two sons who are described in Luke’s parable, the frugal (or ‘virtuous’) and the immoderate (or ‘wanton’).” He then connects these two sons with the f...

Another Chant for the Byzantine Liturgy of the Presanctified
Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia! (Recording by the Lviv Archeparchial Clergy Choir.) Нині сили ...

The Crypt of Montecassino Abbey
For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decisi...

An Interview with Fr Uwe Michael Lang on Liturgy
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...

Dives and Lazarus in the Liturgy of Lent
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...

The Feast of St Joseph 2025
Truly it is worthy and just... eternal God: Who didst exalt Thy most blessed Confessor Joseph with such great merits of his virtues, that by the wondrous gift of Thy grace, he merited to be made the Spouse of the most holy Virgin Mary, and be thought the father of Thy only-begotten Son, Jesus Christ, our Lord. Wherefore, venerating the day of his b...

For more articles, see the NLM archives: