Saturday, October 28, 2006

Some images of the Sarum Use

I was recently watching a DVD of the Sarum Use liturgy that was celebrated under Catholic auspices (Fr. Sean Finnegan) at Merton College, Oxford, in the late 1990's. Fortuitously, they recorded this event.

I took a few DVD stills from the DVD to show those on the NLM who I know will be interested.

I will make a few comments on some of the variations from the Roman rite, but I will not claim to be (yet) intimately knowledgeable of all the details of this use, nor how this solemn Mass might vary from a more standard Sarum use liturgy. If we have people here who are more knowledgeable, please chime in for all of our benefit, and feel free to correct anything that may need it.

The event recorded was that of Candlemas, and thus prior to the liturgy beginning was the blessing of the candles. What was interesting was to see three crucifer's (cross bearers) in the procession. If you look closely here, you can see the two crosses either side of the larger, main processional cross, carried by a crucifer wearing a tunicle -- the vestment normally worn by a subdeacon in the Roman rite:



One will also notice above another mediaeval feature. On the altar are two altar candlesticks instead of six. This seems to have been the more common practice in the mediaeval Latin liturgy. Witness to this fact are the numerous manuscript illuminations which show this arrangement.

Moving into the next photographs of the prayers at the foot of the altar, one should note as well that the albs are very mediaeval in terms of being apparelled rather than laced. The servers as well wear these apparelled albs (rather than cassock and surplice) which can be seen on the acolyte in the following image:



A unique feature as well in the above are that the schola are dressed in cope.



This further shot gives a better sense of the sanctuary. What I found interesting here is that the acolytes and crucifers still remain standing in the midst of the sanctuary for this part of the liturgy.





Above: The burse with the corporal inside are taken to the altar, led by the two acolytes.



Above: as is the case in the Rite of Braga and the Ambrosian rite (possibly others) after the consecration, at certain points of the Canon, the priest raises his arms in cruciform fashion. It is a powerful reminder of the sacrificial nature of the liturgy and as well a potent tie-in of the unity of the sacrifice of Calvary with what is taking place in the Mass.

In this photograph as well, one will note that the deacon and sub-deacon carry lit tapers. One will also note, in addition to the priest, there are 4 sacred ministers rather than 3.



In preparation for the recessional, the various ministers and servers are lined up set to be led by the verger. The verger can still be seen in Anglican worship, but this was the first I had seen the verger used in Catholic worship. It would be interesting to study further the history of the verger and whether his use was particular to Catholic England.

More recent articles:


Recommended Art History and Artistic Practice Text Books for Homeschoolers... and Everyone Else Too!
I want to recommend the Catholic Heritage Currricula texts books to all who are looking for materials for courses in art history, art theory and artistic practice at the middle-school or high-school level. These books present a curriculum that combines art history, art theory, and a theory of culture in a Catholic way. Furthermore, they provide the...

Launching “Theological Classics”: Newman on the Virgin Mary, St Vincent on Novelty & Heresy, Guardini on Sacred Signs
At a time of turmoil, nothing could be better or more important than rooting ourselves more deeply in the Catholic tradition. One of my favorite quotations is by St. Prosper of Aquitaine (390-455), writing in his own age of chaos: “Even if the wounds of this shattered world enmesh you, and the sea in turmoil bears you along in but one surviving shi...

Low Sunday 2025
With his inquisitive right hand, Thomas searched out Thy life-bestowing side, O Christ God; for when Thou didst enter while the doors were shut, he cried out to Thee with the rest of the Apostles: Thou art my Lord and my God. (The Kontakion of St Thomas Sunday at Matins in the Byzantine Rite.)Who preserved the disciple’s hand unburnt when he drew n...

The Easter Sequence Laudes Salvatori
The traditional sequence for Easter, Victimae Paschali laudes, is rightly regarded as one of the greatest gems of medieval liturgical poetry, such that it was even accepted by the Missal of the Roman Curia, which had only four sequences, a tradition which passed into the Missal of St Pius V. But of course, sequences as a liturgical genre were extre...

The Paschal Stichera of the Byzantine Rite in English
One of the most magnificent features of the Byzantine Rite is a group of hymns known as the Paschal stichera. These are sung at Orthros and Vespers each day of Bright Week, as the Easter octave is called, and thenceforth on the Sundays of the Easter season, and on the Leave-taking of Easter, the day before the Ascension. As with all things Byzantin...

Medieval Vespers of Easter
In the Breviary of St Pius V, Vespers of Easter Sunday and the days within the octave present only one peculiarity, namely, that the Chapter and Hymn are replaced by the words of Psalm 117, “Haec dies quam fecit Dominus; exsultemus et laetemur in ea. – This is the day that the Lord has made; let us be glad and rejoice therein.” In the Office, this...

Summer Graduate-Level Sacred Music Study - Tuition-free
The May 1st application deadline is approaching for summer graduate courses in sacred music at the Catholic Institute of Sacred Music. Graduate-level study structured for busy schedulesIn-person, intensive course formatsAffordable room & boardFree tuitionLearn more and apply here.Courses:Choral InstituteComposition SeminarOrgan ImprovisationIn...

The Last Service of Easter
Following up on Monday’s post about the service known as the Paschal Hour in Byzantine Rite, here is the text of another special rite, which is done after Vespers on Easter day itself. It is brief enough to show the whole of it with just one photograph from the Pentecostarion, the service book which contains all the proper texts of the Easter seaso...

Should Communion Sometimes Be Eliminated to Avoid Sacrilege?
In a post at his Substack entitled “Nobody is talking about this in the Catholic world,” Patrick Giroux has the courage and good sense to raise the issue of the indiscriminate reception of the Lord at weddings and funerals where many attendees are not Catholics, or, if Catholics, not practicing, not in accord with Church teaching, or not in a state...

Update on the Palestrina500 Festival in Grand Rapids
On Friday, February 14th, the feast of Saint Valentine, Sacred Heart of Jesus Parish in Grand Rapids, MI welcomed Gesualdo Six from London to sing a choral meditation and Mass for the parish's yearlong Palestrina500 festival.The choral meditation consisted of:Palestrina: Litaniae de Beata Virgine Maria a6Antoine Brumel: Sub tuum praesidiumJosquin d...

For more articles, see the NLM archives: