Monday, August 20, 2007

"Extraordinary form" of the Ambrosian Rite? - first part


For my first post on The New Liturgical Movement weblog, I'd like to try and give some clarifications about an important question raised by a comment to a previous post: whether the recent Motu Proprio published by the Sovereign Pontiff created an "extraordinary form" of the Ambrosian Rite, or not.

First of all, a short historical and canonical preamble about the Liturgical Law of the Ambrosian Rite is in order.

Fr. E.T. Moneta Caglio, later appointed Major Canon of the Metropolitan Chapter of Milan, and one of the greatest scholars of Ambrosian Rite and Ambrosian Chant of the XXth century, made some very important remarks about the Liturgical Law of the Ambrosian Rite in a long series of articles published on the liturgical review "Ambrosius" in 1930. § 16 -17 dealt precisely with the problem of the power to publish or to change liturgical books by local Bishops.

He mentions that, after the Council of Trent, the Sovereign Pontiffs progressively reserved every right to give dispositions of any kind about Roman liturgical books to the Holy See: Bull Quod a Nobis (1568) for the Roman Breviary; Quo primum (1578) for the Roman Missal; Ex quo (1596) for the Pontificale; Apostolicae Sedis (1614) for the Rituale; Cum novissime (1600) for the Caeremoniale Episcoporum.

It is quite well known that the Sovereign Pontiffs explicitly excluded from their new dispositions all Rites and Uses older than two hundred years. Later on, many Uses, such as the so called "Rito Patriarchino", even though old enough to survive, fell into desuetude and were replaced with the Roman Rite. Of course, this wasn't the case for the Ambrosian Rite.

In fact, before 1859 the Archbishops of Milan never felt obliged to ask for a permission to modify Ambrosian liturgical books, or to publish new ones. Those books don't bear any public approval from the Sacred Congregation of the Rites, but only an introductory letter from the Archbishop to explain the reasons why a new edition -or a new litugical book altogether, as for the Caeremoniale Ambrosianum- was considered necessary, and thus published.

Those books are known as books of diocesan right, and some of them were in use until the post-conciliar reforms.

Things changed with the 1918 Code of Canon Law. In fact, can. 1257 read as follows: "Unius Apostolicae Sedis est tum sacram ordinare liturgiam, tum liturgicos approbare libros".

The new Code gives very similar directions under can. 838: "§1. Sacrae liturgiae moderatio ab Ecclesiae auctoritate unice pendet: quae quidem est penes Apostolicam Sedem et, ad normam iuris, penes Episcopum dioecesanum §2. Apostolicae Sedis est sacram liturgiam Ecclesiae universae ordinare, libros liturgicos edere eorumque versiones in linguas vernaculas recognoscere, necnon advigilare ut ordinationes liturgicas observentur".

In a word, while the Archbishop of Milan still keeps the title of "Capo-rito", since 1918 he can't publish or modify Ambrosian liturgical books without the approval -or recognitio- of the Holy See.

Very few outside of the Archdiocese know that the Congregation for Divine Worship is presently examining the new Lectionary presented by the Archbishop for the ordinary form of the Ambrosian Rite, and it is very likely that some parts of it won't be approved.

More recent articles:


Early Bird Registration Discount for CMAA Colloquium Ends March 31st!
Join us this summer for world-class training in the Church’s treasury of sacred music.Early bird registration discount ($50 for colloquium, $50 for Vocal Intensive course, $150 off for Chant Intensive) ends March 31st!Here’s a special invitation from our new president, Fr. Robert Pasley.The Church Music Association of America is pleased to announc...

The Annunciation 2025: Dante and the Virgin Mary
The specific date of birth of the great poet Dante Alighieri (1265-1321) is unknown, but this Thursday, March 27th, is the anniversary of his baptism, which took place during the Easter vigil of 1266. The language which we call “Italian” today originated as the dialect of his native region of Tuscany (more specifically, of the city of Florence, but...

The Messenger Angel
Anonymous, the Archangel Gabriel, depicted on the predella of the high altar at the subsidiary church of Pesenbach, Upper Austria, 1495In the traditional Roman calendar, the feast days of saints are sometimes clustered together to form archipelagos of holiness that allow the faithful to meditate longer on a sacred mystery. These archipelagos do not...

The Third Sunday of Lent 2025
At that time: Jesus was casting out a devil, and the same was dumb: and when he had cast out the devil, the dumb spoke: and the multitudes were in admiration at it: But some of them said: He casteth out devils by Beelzebub, the prince of devils. And others tempting, asked of him a sign from heaven. But he seeing their thoughts, said to them: Every ...

Pictures of Montecassino Abbey
Following up on yesterday’s post of pictures of the crypt of Montecassino Abbey, here are some of the main church and some of the things around it, starting with the most important part of it, the burial site of St Benedict and his sister St Scholastica, behind the high altar.As I am sure our readers know, Montecassino Abbey was heavily bombed duri...

The Prodigal Son in the Liturgy of Lent
In his commentary on the Gospel of St Matthew, St Jerome writes as follows about the parable of the two sons who are ordered by their father to go and work in the vineyard (21, 28-32). “These are the two sons who are described in Luke’s parable, the frugal (or ‘virtuous’) and the immoderate (or ‘wanton’).” He then connects these two sons with the f...

Another Chant for the Byzantine Liturgy of the Presanctified
Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia! (Recording by the Lviv Archeparchial Clergy Choir.) Нині сили ...

The Crypt of Montecassino Abbey
For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decisi...

An Interview with Fr Uwe Michael Lang on Liturgy
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...

Dives and Lazarus in the Liturgy of Lent
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...

For more articles, see the NLM archives: