Tuesday, February 19, 2008

Ditch the "Great Amen"

Jeffrey Tucker

What is the first change that musicians can make at Mass that will have the biggest single impact and also prepare the way for the future? Gavin at the MusicsSacra forum suggests: ditch the Great Amen. Substitute in the plain Amen.

As he says:

Nothing in the GIRM, rubrics, or tradition (that I know of) requires the congregation to sing "Amen" more than once at any point in the Mass. Yet today every Catholic pewsitter knows that the IMPORTANT part of the Mass ISN'T the words "This is My Body" but when you have four chords and sing "A-A-MEN, A-A-MEN, A-A-A-MENNNN" and then repeat it. I've even heard catechists say that THAT is the point where the bread becomes the Body. Oh, and the scores for these "Great Amens" always have FFF as the closing dynamic. This HORRIBLY imbalances the Mass!

So when your priest sings "Through him, with him, in him" to the simple tone, just respond on the same note he used as the reciting tone: "Amen." If he uses the solemn tone (with the slurs on some syllables), respond according to the pitch he ends on "A-me-" and then move up a whole tone "-en." It's all so simple, no one can object to it if it's done routinely, and it makes SUCH a difference in how the Mass is perceived by the congregation.

This accords with advice we had printed some years ago: see point 9: Simplify that Mystery of Faith and the Great Amen. "The Amen need not be "great" but rather just two notes."

It's a great first step!

Posted Tuesday, February 19, 2008 Comment

Labels:

More recent articles:


Early Bird Registration Discount for CMAA Colloquium Ends March 31st!Jennifer Donelson-Nowicka
Join us this summer for world-class training in the Church’s treasury of sacred music.Early bird registration discount ($50 for colloquium, $50 for Vocal Intensive course, $150 off for Chant Intensive) ends March 31st!Here’s a special invitation from our new president, Fr. Robert Pasley.The Church Music Association of America is pleased to announc...

The Annunciation 2025: Dante and the Virgin MaryGregory DiPippo
The specific date of birth of the great poet Dante Alighieri (1265-1321) is unknown, but this Thursday, March 27th, is the anniversary of his baptism, which took place during the Easter vigil of 1266. The language which we call “Italian” today originated as the dialect of his native region of Tuscany (more specifically, of the city of Florence, but...

The Messenger AngelMichael P. Foley
Anonymous, the Archangel Gabriel, depicted on the predella of the high altar at the subsidiary church of Pesenbach, Upper Austria, 1495In the traditional Roman calendar, the feast days of saints are sometimes clustered together to form archipelagos of holiness that allow the faithful to meditate longer on a sacred mystery. These archipelagos do not...

The Third Sunday of Lent 2025Gregory DiPippo
At that time: Jesus was casting out a devil, and the same was dumb: and when he had cast out the devil, the dumb spoke: and the multitudes were in admiration at it: But some of them said: He casteth out devils by Beelzebub, the prince of devils. And others tempting, asked of him a sign from heaven. But he seeing their thoughts, said to them: Every ...

Pictures of Montecassino AbbeyGregory DiPippo
Following up on yesterday’s post of pictures of the crypt of Montecassino Abbey, here are some of the main church and some of the things around it, starting with the most important part of it, the burial site of St Benedict and his sister St Scholastica, behind the high altar.As I am sure our readers know, Montecassino Abbey was heavily bombed duri...

The Prodigal Son in the Liturgy of LentGregory DiPippo
In his commentary on the Gospel of St Matthew, St Jerome writes as follows about the parable of the two sons who are ordered by their father to go and work in the vineyard (21, 28-32). “These are the two sons who are described in Luke’s parable, the frugal (or ‘virtuous’) and the immoderate (or ‘wanton’).” He then connects these two sons with the f...

Another Chant for the Byzantine Liturgy of the PresanctifiedGregory DiPippo
Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia! (Recording by the Lviv Archeparchial Clergy Choir.) Нині сили ...

The Crypt of Montecassino AbbeyGregory DiPippo
For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decisi...

An Interview with Fr Uwe Michael Lang on LiturgyGregory DiPippo
I am sure that our readers will enjoy this interview with the liturgical scholar Fr Uwe Michael Lang of the London Oratory, which was recently published on the YouTube channel of the Totus Tuus Apostolate. It covers a wide range of subjects: Pope Benedict’s teaching on the liturgy, the liturgical abuses in the post-Conciliar period and our own time...

Dives and Lazarus in the Liturgy of LentGregory DiPippo
Before the early eighth century, the church of Rome kept the Thursdays of Lent (with the obvious exception of Holy Thursday) and the Saturdays after Ash Wednesday and Passion Sunday as “aliturgical” days. (The term aliturgical refers, of course, only to the Eucharistic liturgy, not to the Divine Office.) This is attested in the oldest liturgical bo...

For more articles, see the NLM archives: