I couldn't wait for the July 1 release of the new chant CD from the Cistercian Abbey Stift Heiligenkreuz (which is already moving up the ranks on Amazon) so I bought my from the U.K., and it arrived yesterday. I waited a day to blog about it so that my post wouldn't be implausibly hysterical.
I do believe that this is the most wonderful, most perfect, sound I've heard yet on any chant recording. It is unaccompanied and the acoustics are flawless. What I find notable here is the perfect uniformity in pitch, pronunciation, vocal production, and, most strikingly, the style as revealed in the phrasing and dynamics. It is marvel. There is no audible leader at all. Every singer is producing at a level equal with ever other.
Of course, one wonders how this is possible, and I think the answer comes from the detail work behind the scenes in terms of counting. If you can listen to what is happening beneath the surface, you can detect an inaudible pulse that turns out to be regular and pervasive - the heartbeat that you do not necessarily hear but is the driving force behind the music.
There are differences between the chant these monks sing--some small issues of notes and rhythm--and what you will find in the Graduale Romanum. I do not know enough about Cistercian use here but I do see online examples of Cistercian Graduales from the 13th century, so I'm supposing that the minor differences are not due to some reconstruction work on the part of the monks but rather the tradition in their own monastery. So if you are seeking a CD to help you sing the Graduale, this is not it. If you are seeking a CD to help you understand style and rhythm or just simply to help you pray, I can't imagine anything better.
This is something I just found: a full website dedicated to the release. It is really worth spending some time here.
Thursday, May 22, 2008
That Chant CD
UnknownMore recent articles:
The Gospel of Nicodemus in the Liturgy of EastertideGregory DiPippo
By “the Gospel of Nicodemus”, I mean not the apocryphal gospel of that title, but the passage of St John’s Gospel in which Christ speaks to Nicodemus, chapter 3, verses 1-21. This passage has an interesting and complex history among the readings of the Easter season. For liturgical use, the Roman Rite divides it into two parts, the second of which...
“The Angel Cried Out” - The Byzantine Easter Hymn to the Virgin MaryGregory DiPippo
In the Byzantine Divine Liturgy, there are several places where the priest sings a part of the anaphora out loud, and the choir makes a response, while he continues the anaphora silently. In the liturgy of St John Chrysostom, which is by far the more commonly used of the two anaphoras, the priest commemorates the Saints after the consecration and ...
The LavaboMichael P. Foley
Lost in Translation #124 After the incensation, the priest goes to the Epistle side and washes his hands, reciting Psalm 25, 6-12: Lavábo inter innocentes manus meas: et circúmdabo altáre tuum, Dómine.Ut audiam vocem laudis: et enarrem universa mirabilia tua.Dómine, dilexi decórem domus tuae: et locum habitatiónis gloriae tuae.Ne perdas cum impii...
Spinello Aretino’s Altar of Ss Philip and JamesGregory DiPippo
At the very end of the 14th century, the painter Spinello di Luca Spinelli (1350 ca. - 1410 ca.), usually known as Spinello Aretino (from Arezzo) was commissioned to make a frescoed altarpiece for the Dominican church of his native city. The altar itself no longer exists; it was dedicated to the Apostles Philip and James, whose feast is traditional...
A Medieval Hymn for EastertideGregory DiPippo
Many medieval breviaries, including those of the Sarum Use, the Cistercians, Carmelites and Premonstratensians, have a hymn for the Easter season which is not found in the Roman Breviary, Chorus novae Jerusalem by St Fulbert, bishop of Chartres, who died in 1029. The original version of the Latin text, and the English translation of John Maso...
Two Upcoming Events from the Durandus InstituteGregory DiPippo
Our friend James Griffin of The Durandus Institute for Sacred Liturgy and Music wishes all our readers a joyous Easter season, by presenting two opportunities, at least for those in southeast Pennsylvania, to celebrate.First, this coming Sunday at 5pm, there will be a solemn Vespers in the traditional Latin rite for the Second Sunday after Easter a...
Letter to a Maximalist Music Director in a Minimalist WorldPeter Kwasniewski
Auguste Danse, Study of Three Singers (detail)The following is based on a real letter.Dear Friend,I’m sorry to hear that you’re experiencing some “ups and downs” with regard to the liturgy there, though it’s hardly surprising in a way. Your diocese is not well known for liturgical propriety or taste, and, beyond that, priests mostly have control ov...
The Tomb of St Peter Martyr in Milan’s Portinari ChapelGregory DiPippo
Here are some great photos from our Ambrosian correspondent Nicola de’ Grandi of the Portinari Chapel at the Basilica of St Eustorgio in Milan. They were taken during a special night-time opening made possible by a new lighting system; as one might well imagine, the Italians are extraordinarily good at this sort of thing, and more and more museum...
Recommended Art History and Artistic Practice Text Books for Homeschoolers... and Everyone Else Too!David Clayton
I want to recommend the Catholic Heritage Currricula texts books to all who are looking for materials for courses in art history, art theory and artistic practice at the middle-school or high-school level. These books present a curriculum that combines art history, art theory, and a theory of culture in a Catholic way. Furthermore, they provide the...
Launching “Theological Classics”: Newman on the Virgin Mary, St Vincent on Novelty & Heresy, Guardini on Sacred SignsPeter Kwasniewski
At a time of turmoil, nothing could be better or more important than rooting ourselves more deeply in the Catholic tradition. One of my favorite quotations is by St. Prosper of Aquitaine (390-455), writing in his own age of chaos: “Even if the wounds of this shattered world enmesh you, and the sea in turmoil bears you along in but one surviving shi...